This Drifting Excrement Was Far Too Symbolic! These Are the TV Letdowns of the Year.
Looking back, we consider the TV offerings of the recent year, a handful of shows stand out not for their brilliance, but for their notable failures. Ranging from awkward spin-offs to confusingly poor docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate spin-off? Burdened with dreadful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. Briefly, as the third season started, it seemed as if it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Yet, fans undeniably found joy dissecting every single “wtf?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was practically the smallest of this drama's issues. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious veneration of affluence and materialism? The seemingly deliberate procession of tropes? Acting so poor they felt almost spiteful? Suffice it to say “each and every one” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.
AKA Charlie Sheen
Given the legal troubles, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any sympathy this show might induce should be saved for the people who have had to endure close contact with this charismatic but dismissive egotist.
The Iris Affair
Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
MobLand
Dodgy figures convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were plenty of other problems. Primarily that it was just really dull; a conflict over narcotics territory between various cockney rogues which felt a bit basic.
With Love, Meghan
Given the degree to which she provokes the ire of certain performatively angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into twee lifestyle as deliberate statements. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.
Victoria Beckham
There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this documentary series opted not to explore them. Instead, the viewing was akin to reading a marketing brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.
The Inheritance
It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to live up to something way beyond it.
The Lena Dunham Romcom
How does one succeed a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the shrewd inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.
The Maths Genius Thriller
We love the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services spying on – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This hagiography followed the online personality renowned for explicit escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.